The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary

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Representing initially only an ambitious theatrical project, which couldn’t find its place in the cultural context of former Yugoslavia not even from a legal point of view, DAH theatre had been existing since 1991 and intensifies year by year it national and international impact. Talking about DAH meant for the one of the trainers, Sanja, not only a mere interview, but the affirmation of a real profession of faith; the passion in evoking what work in this team, the past and future projects. Even the single fact that this contemporary theatrical laboratory was born and manifested in parallel with the war, that shook completely the former Yugoslavia, is enough to understand the purifying, elating, salving function of theatrical art (understood as a joining between dance, voice, movement and acting).

Keywords: DAH theatre, actor’s training, theatre laboratory