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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 1 / 2019 | |||||||
Article: |
HOW TO „READ” A DANCE THEATRE PERFORMANCE?. Authors: ALEXANDRA FELSEGHI. |
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Abstract: The following article treats the subject of a dance theatre performance, by giving an inside and an outside perspective of the creative process. It also attempts to define the concept of dance dramaturgy and to explain the dramaturg’s function in the rehearsal room. On a level of perception, the audience’s function is a very important one, because the spectator becomes a co-author of the performer’s message. Therefore, the relationship between the stage and hall is a communication on different levels. Keywords: Audience, cultural approach, dance theatre, devised process, dramaturg, dramaturgy, dramaturgical thinking, imagination, images, interpretation, space, theatre. |
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