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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 1 / 2011 | |||||||
Article: |
THEATRICALITY IN DOSTOEVSKY’S DEMONS. Authors: SABIN SABADOS. |
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Abstract: The concept of theatricality initiated in the theatre performance extended its influence over most different creations. Among these, there is the novel and, subsequently, Dostoevsky’s work. In The Demons theatricality is deeply related to freedom, the way the human beings assert themselves using theatre-like means. The exposure, the exhibition, the public assumption of some major desiderates offer Dostoevsky’s hero the opportunity to exercise the attributes of freedom. The present study is but an attempt to bring to light the “theatricality” in the reactions of Dostoevsky’s characters. Keywords: theatricality, Dostoevsky, novel, freedom, character |
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