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    STUDIA DRAMATICA - Issue no. 1 / 2010  
         
  Article:   THE SACRED QUALITY IN TARKOVSKI’S CINEMA.

Authors:  CRISTIANA KERESZTES. 		 
       
         
  Abstract:  This paper tries to display in simple words the factors that invest Andrei Tarkovski’s work with spiritual value. Even though we do not always understand WHAT he’s saying, we can observe HOW he is doing it, by what means and, more important, we can take notice of the effects. The elements decomposed bellow (time, space, madness and a few other archetypes) are just the ones present in all, or most of his movies, having the same tendency of revealing the invisible, the untouchable, the sacredness; so the essay comes as a “recipe” that worked so good for the Russian director.

Keywords: sacred, memory, symbol, origin, spirituality, film, Tarkovski.
  
         
     
         
         
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