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Amalia Soos graduated both journalism and philosophy studies, and is now a master student at the Faculty of Theatre and Television of the Babeş-Bolyai University of Cluj. Her article tries to follow the philosophical patterns in Pedro Almodóvar’s movies, and to demonstrate the straight link between the deconstruction of the classical themes of the contemporary philosophical approaches and the film artist’s visions and aesthetics.

Keywords: cinema, Pedro Almodovar, vision